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Beneath the Underdog, by Charles Mingus
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These memoirs are of the great bassist and jazz composer Charles Mingus. Completed years before his death in 1979, this is the story of: growing up in the Watts, Los Angeles of the 1920s and 30s, ruled by a strap-wielding father and Bible-quoting stepmother; Mingus's outcast adolescent years ("a yella kid, running with the mongrels"); his apprenticeship, not only with jazzmen, but also with pimps, hookers, junkies and hoodlums; and his golden years in New York City with such legendary figures as Duke Ellington, Lionel Hampton, Miles Davis, Charlie Parker and Billie Holiday. Here is Mingus in his own words, from shabby roadhouses to fabulous estates, from the psychiatric wards of Bellevue to worlds of mysticism and solitude. But for all his travels, he never strayed too far, always returning to the music.
- Sales Rank: #12640949 in Books
- Published on: 1995-10
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Binding: Paperback
- 288 pages
Review
Born consumed with rage...Mingus translated these feelings into some of the most awesome music ever made. This harrowingly honest autobiography is equally moving. * Bizarre * Rich on anecdote and emotional self-analysis. He was maddening - but read this and it'll make you mad at what he went through. * Uncut * The jazz world has seen its share of compelling autobiographies but none to rival the quality of Beneath the Underdog. A shocking and brilliant book. * Q * There has never been an autobiography like Beneath the Underdog. A riveting work of highly subjective reminiscences and tortured self-analysis -- Richard Williams This remarkable book, part autobiography, part street-smart philosophical meditation, part fiction, and part fantasy, provides a unique insight into the creative and personal tumult behind his music. * The List *
About the Author
Charles Mingus (1922-79) is widely regarded as being the most influential and important post-bop bassist to have emerged from the jazz world. Not simply a player, he is also considered to be one of the most important and experimental composers in twentieth century music.
Most helpful customer reviews
1 of 1 people found the following review helpful.
MINGUS the surprising
By Nikica Gilic
First of all, it was really surprising for me to see how much of the book has nothing to do with the music - this is a very personall confession, told in a form of a novel in which, accidentally, some of the characters (besides Mingus) have the names of Charlie Parker, Art Tatum, Duke Ellington, Miles Davis and, since the depiction of Red Norvo is not very flattering (and he was very much alive when the book was published), he is "hidden" but instantly recognizible to anyone who has some knowledge of the illustrious carreer of Charles (not Charlie!) Mingus...
The hero of this autobiography/novel, very often presented in third-person narration, is very much concerned with spirituality and sexuality, so the important people from the author's life (family, friends, lovers, prostitutes, pimps, medical professionals) are often not the ones you've heard of before reading the book, while some familiar names (Fats Navarro, Nat Hentoff) are here because they were important for the main topic of the book. And the topic is Charles Mingus, the human being, the man - Afican, White and Asian /but dominantly black/ - musician, lover, son, father...
Naturally, if you DON'T know much about Mingus' remarkable music, you will hardly reach for the book but, if you do, this will be an interesting insight into his rich mind.
Eric Dolphy is mentioned only once, I don't remember the mention of people like Danny Richmond or Jimmy Knepper, but the web of a complex and intricate life is remarkably presented. Compared to the music, this is not the best work of Charles Mingus, but if you like his music you probably won't mind reading this... After all, there's a lot of sex, psychiatry, violence and music inside this book; there's something for everyone's taste.
5 of 6 people found the following review helpful.
Great literature? No, but an interesting artifact anyhow...
By R G-S
Those looking for anything like a conventional musical bio should go to "Mingus, a Critical Biography" by Brian Priestley; "Underdog" isn't that at all; it's an artifact of Mingus' peculiar world-view at a particularly hard time in his life.
Mentally ill? Mingus was long noted for fits of depression (in spite of repeated success in the music industry, he nevertheless ended up working for the post office on a number of occasions) and a volcanic temper (he re-counts an on-stage knife-fight with Ellington trombonist Juan Tizol, but leaves out mention of his punching Jimmy Knepper in the mouth hard enough to break teeth). He sometimes channeled it for art: he was probably the first musician ever to release an album ("Black Saint") with liner notes from his psychoanalyst. In "Underdog", he recounts checking himself into Bellvue Hospital, in an ill-considered search for "some rest". That got him, he says, an offer of a lobotomy, but also yielded a song, "Hellview of Bellvue/Lock 'em Up", and he raised the interesting question: if a somewhat successful half-black jazz musician in 1960's America believed that people were out to steal from him and oppress him, was he acutely paranoid, just observant, or both?
Sexually escapist, and scatological? Well, yes, but before feminism, or political correctness, and not without pay-back: the man who bragged of trying to bury his misery in [...] and dope never apparently finds them to be a satisfactory release, and after all the orgies, writes a tune called "Half-Mast Inhibition". . .
So, listen to the music first. See the short b&w documentary. If you want accurate linear bio information or critical analysis, go to the Priestly book. Then put on "Black Saint", "Mingus Am Uh", or "Blues and Roots", and read this.
7 of 7 people found the following review helpful.
The Black Saint in a Sinner's Body
By Sean K Hur
If you are a fan of Charles Mingus' music, you will certainly enjoy this wonderfully bombastic character in his autobiography. His story has his life woven in with some fictionalized characters and segments "jazzed" in, which adds quite a peculiar nature to his work. However, you will never guess what segments are true and which aren't. The work is very peculiar as an autobiography, revealing more the conversations and the feelings he underwent through his travels as opposed to a straight narrative from beginning to end. His work goes through a path of flashbacks and such, with a major emphasis on women (esp. his lovers), the road, and his jazz music. The interesting people he meets in his travels are well interweaved, and really make the story. My only criticism is when this "jazz" story starts to ramble out into peculiar segments which seem to lose your attention. The work tends to well reflect the chaotic nature of this genius. It is also a treat to listen to his music while reading... One of the many pleasures I've undertaken in. Highly recommended reading.
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